The world has changed a lot since The Collingswood Story pioneered Screenlife storytelling in 2002. Nickelback had the top single that year, mid-budget films still…
James Cameron is the last gunslinger who knows what to do with 3D (at least until Ang Lee is released from Director Jail), although countless…
It’s a marketer’s dream title, isn’t it: The Sheep Detectives. Straight to the point and brain-tickling. Indeed, considering the slick, straight-to-Amazon Prime aesthetic, it wouldn’t…
In Annihilation, Florida writer Jeff VanderMeer writes, “When you see beauty in desolation it changes something inside you. Desolation tries to colonize you.” That novel’s…
More an indictment of pop referentiality than a true reflection of psyche, the opening minute of Katarina Zhu’s Bunnylovr edges toward a pat diagnosis of…
If you’re looking for a supposed “fresh set of eyes” in your criticism, I am the ideal audience for Mortal Kombat II. I haven’t seen…
Elliot Tuttle’s sophomore feature, Blue Film, arrives hot on the heels of controversy — or so we’re meant to believe. It premiered last year at…
No civilization without land was the starting point of Carl Schmitt’s definition of the nomos — the measure by which land “in a particular order…
The starting point for anything one might observe about the nature of money in the world today needs run, if one is to be sensible,…
Looking with a cynical eye, one might accuse Ildikó Eyendi — and not just in Silent Friend — of banality. The film’s three stories, taken…
Inside a brightly lit Dunkin’ Donuts, Tyler, a construction worker, meets another, Widgey, who is about to hire him for a home renovation job. Tyler…
Don Hardy’s career as a documentary filmmaker has spanned an eclectic range of themes that are bound, in some way, by an interest in mystery,…
“From the mind of The RZA” and “presented” by Quentin Tarantino comes One Spoon of Chocolate. In the film, Shameik Moore plays a veteran, washed…
In an old interview with David Ehrlich, filmmaker and critic Kent Jones recalls a conversation with Arnaud Desplechin in which the great French director told…
Horror continually mines the dark crevices between belief and skepticism. Explorations of witchcraft, folklore, and the paranormal are fertile grounds for character-building, so that a…
At the beginning of Lucrecia Martel’s first feature-length documentary, Our Land (originally titled Landmarks), we’re presented with satellite images of Earth. From this zoomed out…
Although cinema is at its best when it gleefully breaks the rules, some operating procedures need to be in place when you embark upon an…
Director Chloé Robichaud’s film Two Women presents as a tale of sexual liberation, wherein two Montréal women trapped in sputtering marriages pursue casual sex that…
The current acclaim for Canadian cinema is, like many attempts to promote a new wave, a snapshot of a rising generation that aside from nationality…
Critic Filipe Furtado recently wrote a piece extolling the virtues of low-budget genre filmmaking, emphasizing how certain action specialists tend to compensate for a lack…
Jorma Taccone’s Over Your Dead Body, a remake of violent Norwegian comedy The Trip, concerns a married couple (Jason Segel and Samara Weaving) who each…