Ira Sachs’ 2010 short film Last Address presents an unadorned montage of New York City apartment buildings and rowhouses, each of which once housed an…
Director Suzannah Herbert’s documentary Natchez, which counts Sam Pollard among its executive producers and won this year’s Documentary Competition at the Tribeca Film Festival, captures…
On its face, the concept of writer-director Nia DaCosta’s Hedda sounds perilously, excitingly ambitious: DaCosta has adapted Henrik Ibsen’s venerated drama of psychological realism Hedda…
In his 1998 monograph on gay male identification with the Broadway musical, Place for Us: Essay on the American Musical, D.A. Miller identifies the archetypal…
On November 1 and 2, 2001, then-28-year-old Palestinian filmmaker Kamal Aljafari visited Gaza, and left with about two hours and forty minutes worth of MiniDV…
“All films are time travel films, and all films are ghost films,” said filmmaker Mark Jenkin at a post-screening Q&A for the New York Film…
Rhayne Vermette’s Levers functions, in part, as a collective portrait of a community caught in limbo: when the sun is inexplicably blocked out globally for…
Writer-director Carmen Emmi, inspired in part by a 2016 L.A. Times article detailing a sting operation by undercover police officers at a popular cruising site…
The “theatre kids” of the world, spurred on by the renewed cultural phenomenon of Wicked, a spate of TikTok parody musicals amidst pandemic-era social distancing,…
Kazuo Ishiguro’s 1982 novel A Pale View of Hills, with its unreliable first-person narrator and dual timelines of Nagasaki in the 1950s and England in…
The History of Sound, from director Oliver Hermanus and writer Ben Shattuck, was met with a somewhat chilly critical reception at the 2025 Cannes Film…
A woman, beautiful and a touch removed, travels to Switzerland from Argentina to accept an award. She throws the glass statuette in the bathroom trash,…
Maryam Touzani’s Calle Málaga won the Audience Award at the Venice Film Festival’s new Spotlight Section, and the film is accordingly an audience-pleaser. Following her…
A Streetcar Named Desire is so iconic within cinema history that the film itself can easily be taken for granted. One could boil down its…
Filmmaker, artist, and animator Virgilio Villoresi’s first feature, Orfeo, made after years of directing short films, advertisements, and music videos, is a whimsical, finely crafted…
“Trauma horror,” or “grief horror,” has become so ubiquitous that the subgenre has infiltrated even the most quotidian commercial horror films; it seems that the…
Jérôme Reybaud’s concise, lacerating film A Balcony in Limoges appears at first to be an odd-couple comedy, albeit with unresolved psychological trouble churning under the…
Director Benjamin Caron and actor Vanessa Kirby have previously worked together to great effect: Caron directed the episode of The Crown which netted Kirby an…
The decadent luxury and moral rot of extreme wealth; a location as isolated as it is idyllic; lithe young bodies glistening in sunlight; the churning…
The confluence of factors that led to the production of Targets encapsulate the idiosyncratic period in film history it was born into: in 1968, when…