Back in the winter, the film Companion used the premise of a young “couple” taking their first trip together to a secluded house in the countryside…
Decades in the making but arguably being released five years prematurely, 28 Years Later, Danny Boyle’s follow-up to 2002’s seminal, lo-fi zombie film 28…
The author Hunter S. Thompson is widely credited with founding the “Gonzo journalism” movement, which is informally defined as incorporating subjective language and satire…
To coin an adage, directing a Stephen King adaptation is like getting a tattoo: it’s difficult to stop at one. The only thing harder…
Credit where it’s due: Hurry Up Tomorrow is the sort of fiasco that Canadian pop superstar The Weeknd has been concertedly building toward over…
Titles are a funny thing. Adapted from a 2020 novel of the same name, Eli Craig’s horror-comedy Clown in a Cornfield takes the same tact as…
The rapid ascension of Ryan Coogler as a pop-filmmaker of some stature has taken a somewhat counterintuitive route. After bursting onto the scene with…
It’s 1987 in Oakland, California. The Golden State Warriors are trying to avoid being swept by the Lakers in the Western Conference semifinals, feuding…
“Eat the rich” satires didn’t start under Trump, but it certainly feels like they’re accelerating of late. We’re less than a month removed from…
In the sci-fi-horror film Ash, an ethnically and geographically diverse group of astronauts is dispatched to the farthest corners of the galaxy as Earth’s…
Jonathan Majors is poised to become a household name this year, with high-profile roles in upcoming installments of the MCU and extended Rocky franchises…
In Aude Léa Rapin’s sci-fi drama, Planet B, the French government has imprisoned dissidents in a virtual prison. Bodies are kept in a vegetative…
Someone inside one of the UK’s intelligence agencies has stolen a device that could lead to the deaths of hundreds of thousands of people…
In Oz Perkins’ The Monkey, a mechanical wind-up monkey that plays a drum (but don’t call it a toy) serves as a harbinger of…
In Scott Derrickson’s The Gorge, Miles Teller and Anya Taylor-Joy play two of the best snipers in the world representing, respectively, the superpowers of…
Filmmaker Paolo Sorrentino has made, really, one kind of film for the majority of his career: decadent exercises in excess that observe the absurdity…
If there was reason to be cautiously optimistic about Universal’s remake of its horror franchise Wolf Man, it was the involvement of director Leigh…
How does one engage critically with Companion, a film whose chief attribute and function is as a plot twist delivery machine? Even its very…